Autumn Casey’s Susan floor lamp transforms familiar domestic materials into a sculptural, otherworldly presence. Steel, aluminum, wire, fabric, and resin are layered and hand-shaped into a gestural form inspired by Frank Lloyd Wright. The work balances sentimentality and surrealism, resulting in an illuminated figure that feels handcrafted and spiritually charged.

The Aurora Armchair pairs an expressive aluminum and steel frame with the lush tactility of Pierre Frey mohair. Its sculptural cast-metal base gives the chair a sense of biomorphic movement. Inviting in scale and playful in form, it merges industrial processes with a warm, animated personality.

Carved from claro walnut and mixed media, Untitled #523 embodies Anderson’s monolithic approach to form. Organic grain movement softens the substantial presence of the piece. The table feels deeply rooted in landscape, earthy, textured, and quietly powerful.

White and black diamonds animate Snoopy’s ballerina persona in graphic miniature form.

Inspired by the ornamentation rituals of bowerbirds, this pendant uses aluminum, acrylic, and polycarbonate to create suspended, gestural forms. Its layered translucencies shift subtly with movement. The work maintains a delicate, kinetic presence.

Jogakbo Dining Table merges solid oak with glazed ceramic tiles in a composition inspired by traditional Korean bojagi. Shifting tones and textures form a serene, architectural field across the surface. The piece highlights D-Haene Studio's sensitivity to pattern, proportion, and harmonious materiality.

This pair of stoneware sconces reflects Roinestad’s blend of classical restraint and California modernism. Interlocking ceramic forms create a totemic illuminated silhouette. Earthy materiality grounds the warm, architectural glow of the pieces.

18K rose gold with white and brown diamonds transforms Snoopy into an elegant pop-art miniature.

Eric Roinestad has delved further into an examination of the iconic depiction of humanity with these new works. Given names conventionally associated with femininity, these pieces live as portraiture and emblem, describing usually diffuse aspects of the figure such as hair with an almost folkloric visual unanimity.

Extruded ceramic ribbons loop into a flowing frame that feels both fluid and structural. The dark-slate glaze deepens shadows and highlights the undulating geometry. The mirror becomes a sculptural landscape animated by movement and light.

Interconnected extruded ceramic modules create a rhythmic, chainlike surface. The glazed finish brings softness to the architectural repetition. The table showcases Wubben’s signature blend of experimentation and refined craft.

White gold and rubies combine in a band that merges nostalgia with radiant color.

Marble, alabaster, and pewter stack into a vertical sculptural composition that doubles as a light source. Soft illumination filters through carved alabaster elements. The piece carries a primal yet contemporary sensibility rooted in the permanence of stone.

This variation of the Aurora Armchair continues Wolston’s exploration of exuberant volume and precision metalwork. Upholstered in Pierre Frey mohair, its cloudlike contours rest atop a sculptural rippling base. The piece balances luxury and whimsy through meticulous hand-crafted structure.

Olivia Cognet’s Vallauris Floor Lamps are indicative of the artist’s larger project, which understands the physicality of images as something granted, and thus easily finds the visual architecture within sculptural objects. Presented as an almost Platonic lightsource, these lamps use the timelessness of their functionality as a medium.

Rendered in 18K white gold with diamonds and rubies, pairing whimsy with luxury.

Panchina Camel 2, designed by Yukiko Nagai, is a striking bench that fuses an antique iron frame with a beautifully crafted mosaic seat and backrest. The intricate arrangement of marble and stone tiles mimics the natural elegance of wood grain, offering a refined yet organic aesthetic. Nagai's vision emphasizes the innovative use of materials, focusing exclusively on marble and stone to create a surprising tactile and visual experience.

Deep by Seattle-based glass artist John Hogan reflects his celebrated mastery of material and optics. Hogan mesmerizes viewers by guiding their perception along hidden contours and directing their focus to his exquisite craftsmanship - transforming ordinary forms into captivating, indescribable objects. Hand-shaped with precision, this collectible glass artwork refracts and transforms light, creating an evolving visual presence that enhances any interior or design collection.

This pendant extends Zahn’s exploration of avian-inspired motion through swooping aluminum forms. Acrylic and polycarbonate elements catch and scatter light. The composition feels alive, an elegant interplay of balance and engineered precision.

A warm 18K rose gold band set with brown diamonds pays subtle homage to the character.

Expanding the vocabulary introduced in the Neotropic Mirror, the Credenza wraps an architectural, curved form in hundreds of unique ceramic components. These individually crafted elements create a continuous, relief-like skin that deepens the work’s botanical and geological references, allowing patterns to unfold with greater movement and scale. Light interacts with the mixed clay bodies, pigments, glazes, and glass inclusions to reveal subtle chromatic shifts, making the piece a richly textured, fully sculptural presence within the space.

Serpentine brass hooks coil around crystal-clear glass, suspending the pendants in a slow, deliberate motion. The patinaed brass adds weight and depth, while the glass forms remain buoyant and luminous. It is a work that captures both the ephemeral and the elemental — a sculptural suspension of gravity and light.
 

Tannin by Seattle-based glass artist John Hogan reflects his celebrated mastery of material and optics. Hogan mesmerizes viewers by guiding their perception along hidden contours and directing their focus to his exquisite craftsmanship - transforming ordinary forms into captivating, indescribable objects. Hand-shaped with precision, this collectible glass artwork refracts and transforms light, creating an evolving visual presence that enhances any interior or design collection.

White and black diamonds create a lively rhythm across the polished white gold band.

The Neotropic Mirror introduces the studio’s Mesozoic-inspired language through a frame composed of individually crafted ceramic tiles, each formed from distinct clay bodies, pigments, glass, and glazes. Built using a pisé-influenced process, the surface becomes a dimensional terrain where glossy highlights, matte recesses, and embedded glass create shifting patterns of light. Botanical rhythms and mineral textures emerge across the assembled elements, transforming the mirror into a sculptural study of neotropical ecologies.

Olivia Cognet’s Vallauris Floor Lamps are indicative of the artist’s larger project, which understands the physicality of images as something granted, and thus easily finds the visual architecture within sculptural objects. Presented as an almost Platonic lightsource, these lamps use the timelessness of their functionality as a medium.

Ochre by Seattle-based glass artist John Hogan reflects his celebrated mastery of material and optics. Hogan mesmerizes viewers by guiding their perception along hidden contours and directing their focus to his exquisite craftsmanship - transforming ordinary forms into captivating, indescribable objects. Hand-shaped with precision, this collectible glass artwork refracts and transforms light, creating an evolving visual presence that enhances any interior or design collection.

White and yellow diamonds capture Woodstock’s bright, joyful spirit in fine jewelry.